![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI4GkNnYlWJNPiNaRzxkbWMDKjfCOrMyjPlOgQMJn8Z7uX_rmeFNN7t9WnSluS_sEllq14SP2jp0bSf48lOu5SpbCsQtgy4_cj4bcNLQ9rKo2xUkvs6sq_lYjbNbwXQ-EW_ShMNEXLJs2D/s200/img154.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcMIRmC4tRoF4ufCspDQRqsEIZ2kfxDwT2BBJoJpx-8beI32pIZWVdg0r5XUfNt5Iwts9HpFgbDpVnrLkmO5D1-pzUgtsAvgd5Qwm-s5c15uVcinVFtLnhAkoWtTT3WipCur76An57I7zc/s200/img153.jpg)
The red trims are first, a blue/red machine embroidered ribbon for petticoat frills (this can be dated by the design which includes little circles which were difficult to achieve mechanically till the mid 19c )I have had huge lengths like this all in slightly different stitches. It was used by one of my clients to decorate lamps and cushions in a big Swiss chalet build. Then, two versions of open weave red and white fringes in glossy cotton, which I myself have often used to trim little down pillows and bed cushions with white pique covers. Regret now all SOLD but always worth looking out for at the brocantes, often attached to ragged remnants of cushions, curtains and clothes.
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